Swept away: the art and artefacts destroyed by the worlds greatest museums

A sitar that once belonged to George Harrison was broken at the V&A and this was far from the first time a gallery has had to make an awkward apology

Anyone who has ever been told off by a snippy museum guard for getting too close to an artwork may be interested to learn that galleries and their staff are not always the unassailable guardians of culture they appear to be. It has emerged that V&A staff dropped the precious sitar that George Harrison played on Sgt Peppers Lonely Hearts Club Band and broke it in two. It hit the ground and the gourd bounced away, revealed a whistleblower. The museum was forced to make an awkward telephone call to Harrisons widow, Olivia, to explain. Naturally, museums dont boast about the accidents and losses for which they are responsible, but enough incidences have come to light to give a tragicomic picture of behind the scenes chaos. Here are just some of them …

The British Museums lost ring

The
The Cartier that went missing from the British Museum. Photograph: British Museum

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In 2017, the British Museum admitted to having lost a 750,000 Cartier diamond ring six years earlier. It was off-view in the museums study collection when it disappeared in 2011. Police have dropped the inquiry and the rings whereabouts remain a mystery.

Martin Creeds burst ball

A freedom of information request in 2008 revealed a catalogue of breakages by staff at the Scottish National Museum of Modern Art. One employee damaged a Martin Creed installation called Balls by stepping on it at the press view. Installers accidentally punched holes in a Tracey Emin work while hanging it, and the frame of a Magritte painting was damaged with sticky tape.

Modern art is rubbish

Contemporary installations are so frequently swept away by cleaners that it has become an urban legend. Did Tracey Emins My Bed really get tidied by Tate cleaners in 1999? A Tate Britain worker certainly did remove part of a piece by the auto-destructive artist Gustav Metzger in 2004: then again it was a bag of rubbish. An installation representing the aftermath of a party was thoroughly removed from Bolzanos Museum of Contemporary Art in Italy in 2015 by cleaners who mistook it for the aftermath of an actual party. When the same thing happened to a Damien Hirst array of filled ashtrays and other mementi mori at Londons Eyestorm gallery he called it fantastic. Very funny.

The Prados vanishing collection

Original Article : HERE ; This post was curated & posted using : RealSpecific

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